Tag Archives: wine

Wine, Song and Music with Amelia Singer

Amelia Singer writes about why she thinks wine is an art, ahead of her wine tasting event before our concert, The Great English Songbook, on 9 March.

Amelia will next join us for an evening of wine tasting at Bedales of Borough paired to our Paris Reflected concert programme – the finale of our RE:Imagine series.

Amelia Singer
Amelia Singer is a TV Presenter on The Wine Show, Jamie Oliver Vlogger and Blogger and Founder of Amelia’s Wine – a fun, authentic wine tasting service Amelias-wine.com

Next week I will be doing a wine tasting in conjunction with the CLS’ Re:Imagine series. I was super excited to be included in this programme as not only do I love wine,  the CLS and Southwark Cathedral as a concert venue, I also strongly believe that wine and music complement each other and help create new visions and re imaginations of both art forms.

And yes, I do think it is possible to consider wine as an art form. Both wine and music are experimental, both are creative, both can be extremely technical but ultimately they are meant to be fun and enhance the world around us.  There have been experiments which have proven that music can actually  influence the way we taste wine, and I hope that next Wednesday evening I can demonstrate how wine can absolutely add new nuances and an extra depth of appreciation to musical pieces that you may already know and love.

The wine-cup is the little silver well,
Where truth, if truth there be, doth dwell.

Rubaiyat of Omar Khayyam

Amelia Singer at a Wine Tasting Event

Next week’s music programme will be looking at ‘The Great English Song book’. All of the featured music has been written or adapted in the last century. However, the inspiration, lyrics and musical form  of these pieces have been mostly based on an enthralling collection of English songs, poems and plays from the 16th century. A particularly apt period of time for this concert due to it being  in the midst of the Renaissance, that pivotal era of re-birth, re-vision and re-imagining  of  Man’s place in the world.

Amelia Singer - Wine Tasting Group

Pairing wines to specific pieces, I hope will add an extra appreciation to this collection of Song. There will be British bubbles to start which will open our minds to the English songs and to the notion of what it means to be ‘English’. This idea will then be further explored by comparing wines from around the world to three of the pieces. The variety of wines will be used to explore the different nuances and influences behind the Songs as well as to explore this idea of ‘Englishness’.  Is it something that is innate and untouchable or something that evolves with the time? Is there an ideal we can aspire to or is that just a fanciful idyll? And just as  importantly, through these Re:Imagined works and their wine pairing, what new visions, if any, of ‘Englishness’ can transpire and resonate.

We may not come to any conclusions, but wine and music combined will definitely ensure an entertaining, engaging and effusive evening!

Read Amelia’s blog on how music can actually influence the way we taste wine.

Tickets for Amelia’s next Wine Tasting event are just £22 – book now at cls.co.uk 

 

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Month in pictures – September and October

We’ve had two very busy months at CLS. Our RE:Imagine concert series got off to a flying start in September with CLoSer: Debussy, Copland and Dance at Village Underground, and continued at Southwark Cathedral with an atmospheric celebration of the music of one of the most romantic cities in the world, in Venice: Darkness to Light. But that’s not all we’ve been up to so far this autumn. Take a look at some of our highlights of the last two months…

CLoSer: Debussy, Copland and Dance saw us return to the intimate setting of Village Underground with a programme exploring music written for dance from Rameau’s 18th century take on the classical Pygmalion myth to Copland’s evocative Appalachian Spring. The concert opened and closed with two brand new dance interpretations of Debussy’s Prélude à l’après-midi d’un faune by choreographer Tony Adigun, one contemporary classical, one urban. Photographer James Berry was on hand to capture the concert as it happened. Take a look at some of his stunning pictures…

Whether you missed the concert, or would just like to relive the evening, you can still watch short highlights on our website.

Our second RE:Imagine concert took us to the magnificent Southwark Cathedral to celebrate one of the world’s most wonderful cities, with Venice: Darkness to Light. Soprano Elin Manahan Thomas and countertenor Alex Potter joined us for JS Bach’s re-imagining of Pergolesi’s Stabat MaterTilge, Höchster, meine Sünden, and Latvian composer Ugis Praulins continued our theme of re-imagining the works of Bach, with his arrangement of movements from the Mass in B minor. Here are some lovely photos of rehearsals by James Berry.

On top of all that, it’s been very busy in the education department, as we returned to Suffolk and Essex for our annual Lullaby Concert tour and workshops with Orchestras Live. We also brought a Very Special Bear’s first concert to Warwick, Basingstoke and Saffron Walden with the help of the excellent Simon Callow, who was an absolute natural at conducting! Take a look behind the scenes to see us wrestling with balloons, and a lovely Paddington Bear card made by one of our younger audience members in Basingstoke!

Our RE:Imagine series continues in the new year with The Viennese Salon in the Sam Wanamaker Playhouse at Shakespeare’s Globe, and our next Crash Bang Wallop! family concert will take place on 12 December. We hope to see you there!

Crash Bang Wallop! Let it Snow
Saturday 12 December 2015, 11.00am
Cadogan Hall, 5 Sloane Terrace, London
Tickets: £8 Children, £10 Adults, £30 Family (four tickets)
Box Office: 020 7730 4500 / cadoganhall.com

The Viennese Salon
Sunday 24 January 2016, 2.00pm
Sam Wanamaker Playhouse, Shakespeare’s Globe, London
Tickets: £62 (premium), £15 – 48, £10 (standing)
Box Office: 020 7401 9919 / shakespearesglobe.com

Interview with Amelia Singer

Ahead of our concert and wine tasting next week, we sat down with founder of Amelia’s Wine, Amelia Singer to explore the fascinating world of music and wine…

What drew you towards wine, and how did you get started in the business?

Wine has always been part of my life. I was practically weaned on it by my father! I have always loved cooking and finding the flavours in food, so it was a very natural fit.

I studied acting at university, but I was very involved with the food and wine society, which I absolutely loved. There are so few young women in the wine industry, I decided I would use my acting training to become the Jamie Oliver of wine! So, I spent the next six years working in wineries all over the world, learning all I could about wine and the business, and two years ago I started Amelia’s Wine.

blog wine

Can you tell us a bit about Italian wine?

I adore north east Italy, so preparing the wines for this tasting has been great. One of my favourite wines, which I first remember enjoying with my father, is a classic Amarone. It’s an elegant, robust and reflective red, with dried fruit, chocolate, and smoky flavours. It’s a great wine to savour as it has so many layers; there’s a lot going on, so you can keep going back to it. When it comes to bubbles, rather than a Prosecco, I love a Franciacorta which is also from the region, and is aged longer than Champagne.

How did you go about pairing the wines with the music?

I always go straight to the music and the context and ethos of the programme, and in this case the themes of recreating and re-imagining; playing with the imagination and perceptions and expectations, creating a new way of tasting what you think you know well. I knew the area to focus on, and that I wanted to reflect the idea of darkness to light in the colour spectrum of the wine. I’ve chosen a wine that combines the best of Italy and Germany to complement the Bach in the programme, a bubbly but more serious wine to bring out the Commedia dell’arte themes of Pulcinella, and an elegant, multi-faceted red inspired by Liszt’s The Black Gondola.

What can we expect from the evening?

Something that’s interactive, fun, social, and friendly, with lively, diverse, curious people. You’ll learn something, and hopefully feel confident and empowered, and see the pieces of music and the wine in a new light. I’m really excited about holding the tasting in the intimate space at Bedales.

And finally, what music are you listening to at the moment?

It’s been a very hectic week, so during the days it’s something upbeat. In the evenings I’ve been chilling out to some Jazz with Gregory Porter and Claire Teal.

Tickets for this special wine tasting event at Bedales Wines are limited, so book soon!

Venice: Darkness to Light
Wednesday 14 October 2015, 7.30pm
Southwark Cathedral, London
Tickets £25, £15, £5* (*restricted view)
£5 tickets available for students and 16-25s (pre-register at www.cls.co.uk/cls-fiver) Box Office / 020 7377 1362