Tag Archives: photography

Bach Remixed in pictures

On 16 October 2018, we presented our second performance in Southbank Centre’s newly refurbished Queen Elizabeth Hall. This time, in Bach Remixed, we turned our attention to JS Bach and his love of maths and numbers – the language of the cosmos. Take a look at our performance in pictures, captured beautifully by James Berry Photography.

From Komm, süßer Tod, Epiphoni Consort broke into Knut Nystedt’s contemporary reworking of the piece, Immortal Bach, in surround sound.

Epiphoni Consort
James Berry Photography. Epiphoni Consort in Bach and the Cosmos: Bach Remixed, 2018

Following four performances exploring notions of beauty and creativity in Bach’s Goldberg Variations, Professor James Sparks from the University of Oxford shared his knowledge on geometry, topology and symmetry in relation to Bach’s Musical Offering and Brandenburg Concerto No.3. We also learnt that cup = doughnut.

James Sparks Bach Remixed
James Berry Photography. James Sparks in in Bach and the Cosmos: Bach Remixed, 2018

Baritone Roderick Williams opened the second half by directing Singet dem Herrn, one of Bach’s most famous motets, from within the choir.

Roderick Williams and Epiphoni Consort
James Berry Photography. Roderick Williams and Epiphoni Consortin Bach and the Cosmos: Bach Remixed, 2018

Our audience enjoyed some unexpected and welcomed comedy from our Principal Oboe, Dan Bates, who starred in Roderick Williams’ modern interpretation of Ich habe genug for solo oboe. The end of the piece dovetailed effortlessly into the full cantata – a piece that Roderick champions and which we all delighted in watching.

City of London Sinfonia.
James Berry Photography. Ich habe genug with Roderick Williams and City of London Sinfonia in Bach and the Cosmos: Bach Remixed, 2018

All images in this blog post are © James Berry Photography for City of London Sinfonia, 2018. You can view more photos of this concert below and learn more about how our Bach and the Cosmos series unfolding on Twitter, Facebook and Instagram.

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Retrospective: CLoSer and the Quartet for the End of Time

We don’t know about you but we’re still buzzing from last week’s CLoSer at Village Underground. Featuring one of the most profound and important works of the 20th century, Messiaen’s Quartet for the End of Time, the concert showcased not only the poignancy of its original composition (the work was composed during Messiaen’s imprisonment in Stalag VIII Prisoner-of-War camp in Gorlitz) but also Michael Collins and our Principal Players’ extraordinary playing. With birdsong on entry, atmospheric lighting inspired by Messiaen’s synaesthesia and fascinating “talking programme notes” to begin, this was truly a night to remember!

“I could think of nowhere I’d rather have been… and with no better company” – David Nice, ArtsDesk

As usual, we got our fantastic photographer James Berry to take a few snaps of the concert which we thought we’d share in this post, along with some of our favourite comments from our Twitter page.


Our next CLoSer event will be The Entertainments in October with a programme featuring two re-imaginings of Shakespeare’s plays: Korngold’s incidental music for Much Ado About Nothing and Shostakovich’s outrageous re-working of Hamlet. Tickets, including £1 early bird tickets for a limited period only, are on sale now!