Tag Archives: French Revolution

Your guide to Hero Worship

What’s more exciting and entertaining than a TED talk? A TED talk with a 40-piece orchestra. This is how CLS Chief Executive Matthew Swann describes our Hero Worship concert at Southbank Centre’s newly refurbished Queen Elizabeth Hall on Tuesday 8 May.

Join us on an exciting journey with Cambridge historian Sir Christopher Clark to learn about the significance of Beethoven’s ‘Eroica’ Symphony, Beethoven’s illness and medicine’s inability to cure it, the verbose testament he wrote in Heiligenstadt but never sent, and how he elevated artists from the servant class and reinvented them as heroes.

Amongst works by Beethoven, the Orchestra performs Brett Dean’s Beethoven-inspired piece Testament. Testament was composed in an attempt “to pick Beethoven’s brain”, as Brett puts it. The piece promises to be an exciting experience for the musicians as well as the audience, as our strings play on bows without rosin (which is basically the musical equivalent of driving on ice without snow chains if you’re in the Austrian Alps), while the woodwinds produce “sounds that are hard to pin down” with effects such as ‘toneless murmuring’.

In a bold move that violist and composer Brett Dean describes as being “don’t try this as home difficult”, City of London Sinfonia performs Beethoven’s ‘Eroica’ Symphony without a conductor. What is very special about this performance is that the Symphony will be directed by Brett from the viola; from within the orchestra, which highlights aspects of the piece that you might not be able to hear as clearly in a more traditional setup and gives you the chance to rediscover the Symphony in a different way.

We know that worship usually takes place in special surroundings and Hero Worship is no different in this respect. That’s why we have chosen Southbank Centre’s shiny new Queen Elizabeth Hall as the place for an evening full of beautiful music and exciting insights. It is the perfect place for a concert that gives you a chance to see and hear Beethoven the artist as well as Beethoven the hero – but most of all, Beethoven the human.

Want to book tickets and find out more?

You can purchase tickets at the CLS Box Office (until 10am on 8 May) or at the Southbank Centre Ticket Office. Tickets will also be available at the Queen Elizabeth Hall on the night.

Listen to our Spring Season podcast to hear CLS Chief Executive Matthew Swann elaborate on what makes the concert a TED talk.

In our Hero Worship with Brett Dean podcast, Brett Dean talks more about Beethoven’s ‘Eroica’ Symphony and his own piece, Testament, shedding light on the concept and context of the work and the experimental sounds he chose to feature in the music.

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Beethoven: Artist to Hero

Comment by Matthew Swann, CLS CEO

Nowadays, we’ve got a very good idea of the artist as hero: an individual who creates what he or she wants to and is very much their own manager. But it wasn’t always the case. Until the eighteenth and early-nineteenth centuries, it was very much the case that artists – particularly musicians and composers – were considered part of a servant class. They were artisans; they were producer of things for the upper classes to consume and they weren’t necessarily in control of their own artistic vision.

Beethoven was the man that changed that. He looked at political, military and leadership heroes throughout his life – particularly Napoleon Bonaparte, leader of the French Revolution and later self-declared emperor. Through a series of events where Beethoven fell out of love with Napoleon, for all intents and purposes, he decided that true heroism came from the artist.

Our Hero Worship concert at Southbank Centre’s Queen Elizabeth Hall follows that journey and Beethoven’s own realisation, at the same time, of his growing deafness. It’s a journey of how Beethoven realises that the artist is becoming the hero, and all the anguish and that realisation is presented in his Third Symphony.

As well as collaborating with Brett Dean, a wonderful composer in his own right, Cambridge historian and music-lover Sir Christopher Clark will bring phenomenal insight to our performance. He’ll elaborate on the historic significance of this change: the change from an artist perceived as a servant – an artisan at the beck and call of the upper classes – to someone who drives artistic, creative and philosophical thinking themselves.

Hero Worship at the Queen Elizabeth Hall

Listen to Matthew talk more about Beethoven and our performances on our Spring Season podcast (available on SoundCloud and Apple Podcasts).

Want to be further enlightened (pun intended) on Beethoven’s historical significance? Come to Hero Worship on Tuesday 8 May 2018 (7.30pm) at Southbank Centre’s Queen Elizabeth Hall. Tickets available at cls.co.uk (including CLS 5IVER for students and 16-25s) and southbankcentre.co.uk.

CLoSer October 2013 – The Morning After the New Babylon

As with any good party, half the fun is the morning dissection of the previous night’s events. We may have bagged up our cushions and packed up the bar, but we can’t stop talking about yesterday’s CLoSer.

From Shostakovich‘s spellbinding score, to the mesmerising performance by the Orchestra and Hugh Brunt, it was genuinely impossible to look away from the action last night. The New Babylon was darkly surreal, and the influences of the USSR’s newly-secured Communist regime under which it was created were inescapable. The New Babylon also boasted some pretty heavy-handed Soviet propaganda. Kozintsev’s film positively vilified the Parisian bourgeoisie, caricaturing their decadent, vulgar lifestyles. The resemblance of the leader of the Paris Commune to a young Lenin was, frankly, uncanny and I honestly don’t know if I was more impressed by the determination of the casting director to track down Lenin’s doppelganger, or the extent of Kozintsev’s shameless political brown-nosing.

Those of you who made it last night may have noticed the talented James Berry taking photographs of yesterday’s festivities, and we’ve included some of our favourites in this post.

Our next CLoSer event will be our Alternative Love Songs Valentines event in February, promising a bittersweet offering of baroque, modern and contemporary love songs sung by soprano Elin Manahan Thomas and singer-songwriter Mara Carlyle.

CLoSer: Alternative Love Songs
Wednesday 12 February 2014
Village Underground

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