Tag Archives: Bach and the Cosmos

Bach Remixed in pictures

On 16 October 2018, we presented our second performance in Southbank Centre’s newly refurbished Queen Elizabeth Hall. This time, in Bach Remixed, we turned our attention to JS Bach and his love of maths and numbers – the language of the cosmos. Take a look at our performance in pictures, captured beautifully by James Berry Photography.

From Komm, süßer Tod, Epiphoni Consort broke into Knut Nystedt’s contemporary reworking of the piece, Immortal Bach, in surround sound.

Epiphoni Consort
James Berry Photography. Epiphoni Consort in Bach and the Cosmos: Bach Remixed, 2018

Following four performances exploring notions of beauty and creativity in Bach’s Goldberg Variations, Professor James Sparks from the University of Oxford shared his knowledge on geometry, topology and symmetry in relation to Bach’s Musical Offering and Brandenburg Concerto No.3. We also learnt that cup = doughnut.

James Sparks Bach Remixed
James Berry Photography. James Sparks in in Bach and the Cosmos: Bach Remixed, 2018

Baritone Roderick Williams opened the second half by directing Singet dem Herrn, one of Bach’s most famous motets, from within the choir.

Roderick Williams and Epiphoni Consort
James Berry Photography. Roderick Williams and Epiphoni Consortin Bach and the Cosmos: Bach Remixed, 2018

Our audience enjoyed some unexpected and welcomed comedy from our Principal Oboe, Dan Bates, who starred in Roderick Williams’ modern interpretation of Ich habe genug for solo oboe. The end of the piece dovetailed effortlessly into the full cantata – a piece that Roderick champions and which we all delighted in watching.

City of London Sinfonia.
James Berry Photography. Ich habe genug with Roderick Williams and City of London Sinfonia in Bach and the Cosmos: Bach Remixed, 2018

All images in this blog post are © James Berry Photography for City of London Sinfonia, 2018. You can view more photos of this concert below and learn more about how our Bach and the Cosmos series unfolding on Twitter, Facebook and Instagram.

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Music, technology and wellbeing

Our wellbeing work includes long-standing projects at children’s hospitals such as Evelina London Children’s and University College London hospitals, care homes in North London, hospices in South London and with survivors of brain injuries at Headway East London. We have also entered our second year of a three-year residency (supported by Youth Music) at Bethlem and Maudsley Hospital School, making music with young people who have a broad range of mental health illnesses.

In our Music, technology and wellbeing podcast, Fiona and Zak from the City of London Sinfonia team discuss their experiences of music-making with CLS musicians in wellbeing settings, as well as the impact our projects have on participants and our musicians.

“Music-making is a shared experience.”
– Fiona Lambert, CLS Director of Participation

Sound Artist Gawain Hewitt also talks about how we’ve been using music technology in our recent projects to respond to some of our artistic programmes, such as Modern Mystics, Hero Worship and Bach and the Cosmos. Using technology alongside instruments makes music-making even more accessible, particularly for those with physical or psychological difficulties. In the current term, Gawain has been working alongside CLS musicians and participants to create pieces that respond to Bach’s compositional structures, as well as composing using numbers, sequence and patterns.

“Everyone has the right to be music-makers.”
– Gawain Hewitt, Sound Artist and Workshop Leader

Hear more from Fiona, Zak and Gawain in our Music, technology and wellbeing podcast, available for free download on SoundCloud and Apple Podcasts.