Tag Archives: autumn 2017

Your guide to The Protecting Veil

As with The Fruit of Silence and The Book of Hours, there is a spiritual aspect to the music in our Modern Mystics finale at the weekend, as we perform The Protecting Veil at St John’s Smith Square (Saturday 2 December, 7.30pm). We’re also inviting our audience to interact with our musicians and soloist in living programme notes.

Not only is it the last concert in our sonic trilogy, but it is also the next concert in Southbank Centre’s year-round Belief and Beyond Belief festival, which explores what it means it be human, and the music, art and culture that have risen out of religion.

The Protecting Veil, for cello and string orchestra, is considered by many to be Sir John Tavener’s finest instrumental work. Sir John said the following:

“In The Protecting Veil, I have tried to capture some of the almost cosmic power of the Mother of God. The cello represents The Mother of God and never stops singing throughout. One can think of the strings as a gigantic extension of her unending song.”

We’re looking forward to collaborating with cellist Matthew Barley again, who will perform the work with our string sections on Saturday and present living programme notes as part of the performance.

Matthew Barley FB
Matthew Barley – Photo (c) Madeleine Farley

What are living programme notes?

Matthew Barley has developed a captivating way of educating audiences about a piece as part of the performance, called living programme notes – a concept more engaging and interactive than simply reading about the music in a written programme in a dark concert hall. Our audience will be able to interact with our musicians and learn more about Tavener’s music. Matthew Barley explains more:

“[We’ll be] uncovering some of the fantastic stories about how The Protecting Veil refers to the Protecting Veil of Mary, the Mother of God, that she laid out over the land in Constantinople about a thousand years ago, saving the Greeks from an invasion after a visitation in the night to Andrew, The Holy Fool, [and] looking at a concept of Tavener’s called the Eternal Feminine, that he felt underpinned the work very much.

“[We’ll be] looking at how Indian classical music influenced the work – something Tavener was listening to a great deal when he wrote it – and also looking at the structure of the piece. There are many, many fascinating things about the work. There’ll be played examples and various contributions from different sections of the Orchestra.”

Watch the full video on Twitter:

How do I book tickets?

You can book ‘standard’ or ‘gallery’ tickets (all unreserved seating) for our Modern Mystics: The Protecting Veil concert on our website at cls.co.uk, or on  Southbank Centre’s and St John’s Smith’s Square’s websites.

This concert is a relaxed performance, and friendly to people living with dementia. For more details on this, and if you have access needs, you can contact our box office on 020 7621 2800 or email boxoffice@cls.co.uk.

How do I find out more?

Fast forward to 5.38 in our Modern Mystics podcast to hear more about our performance from Matthew Swann and Alexandra Wood, in live footage from our Season Launch in our latest podcast (available to download/listen to on SoundCloud and iTunes).

You can also remind yourself of what our Modern Mystics trilogy is about in our Chief Exec’s one-minute video account, and get involved with our #ModernMystics series on Twitter.

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Your guide to The Book of Hours

Medieval period – check. Modern music – check. Electronics – check. A Mass setting – check. Lighting and projections – check. All we need now is our audience… and our musicians, of course.

We’re going in a slightly different musical direction in our next Modern Mystics concert on Wednesday 22 November at Village Underground. In The Book of Hours, the Orchestra will perform contemporary works by Julian Anderson, Howard Skempton, Richard Causton and Jonathan Harvey – all new music influenced by ancient sound worlds. Some of these compositions come with a plethora of effects made by live electronics, which Video Artist Jack James will further enhance with more incredible lighting and projections, as featured in The Fruit of Silence.

At the centre of our programme is Julian Anderson’s Book of Hours – a piece that conductor Jessica Cottis describes as “extraordinary. It really is a world of its own.

“As the piece progresses, the added element of live electronics comes to the fore, and we hear all kinds of different sounds. There are Mongolian temple bells… there’s a scratchy record player from former Eastern Bloc, and this kind of takes over and almost obliterates the acoustic sounds.”

We look forward to collaborating with Jessica in her CLS debut, and in a programme that she has no doubt “is going to be weird and wonderful”.

Jessica Cottis (c) Kaupo Kikkas
Jessica Cottis – Photo (c) Kaupo Kikkas

A City of London Sinfonia concert at Village Underground is an experience, rather than just a concert. “It’s not a traditional concert, it doesn’t have that formality – it’s warm; it invites you in,” says Alexandra Wood, our Creative Director and Leader.

In The Book of Hours, our audience members can relax on cushions, chairs, and even perch next to the bar while enjoying the music and visuals – you can stop and listen to the music in whichever way you choose.

How do I find out more?

You can find out more about our Modern Mystics: The Book of Hours concert on our website at cls.co.uk, where you can also purchase tickets.

Fast forward to 6.42 in our Modern Mystics podcast to hear more from Jessica Cottis and Alexandra Wood, in live footage from our Season Launch in our latest podcast (available to download/listen to on SoundCloud and iTunes).

You can also watch as our Chief Executive, Matthew Swann, gives a one-minute video account of the music featured in our sonic trilogy, and keep up to date with our #ModernMystics series on Twitter.

Your guide to The Fruit of Silence

Our three-part Modern Mystics concert series – exploring mysticism in music – starts on Thursday 9 November (7.30pm), and we can’t wait!

In The Fruit of Silence, we’re inviting our audience to create their own spatial journeys through the music (works by Arvo Pärt, Peteris Vasks, Dobrinka Tabakova), visuals (by Video Artist Jack James) and architecture (the beautiful Southwark Cathedral). You can explore the beautiful spaces and changing acoustics throughout the building as our musicians and Epiphoni Consort perform from different spots.

There’ll also be a free pre-concert session, open to just 50 concert ticketholders, in which CLS violinist Ann Morfee will lead mindfulness techniques in a short Mindful Meditation.

Make sure you keep up to date with our #ModernMystics series on Twitter and get involved in the action on our concert days. Tickets are available at cls.co.uk.

Not sure what to expect in Modern Mystics?

Hear from our Creative Director, Alexandra Wood, about what you’ll experience in the first (9 Nov) and third (2 Dec) concerts of the series, and listen to conductor Jessica Cottis describe her plan to bring Anderson’s Book of Hours to life at Village Underground (22 Nov) in live footage from our Season Launch in our latest podcast (available to download/listen to on SoundCloud and iTunes).

Watch as our Chief Executive, Matthew Swann, gives a one-minute video account of the music featured in our sonic trilogy.

You can also listen to some of the music we’ll perform on our Spotify playlist.