Category Archives: Retrospect

Retrospect: The Fruit of Silence

Our audience members created their own spiritual and spatial journeys through music, architecture and visuals in the first concert of our Modern Mystics series on 9 November. As someone on Twitter put it, we treated them to ‘a sonic full body massage’.

There were people exploring Southwark Cathedral as our musicians and Epiphoni Consort took up different positions to perform; meditating to the tranquil music on cushions, pews and chairs, and leaning against the architecture while admiring Jack James’ stunning projections.

Take a look at some of the fantastic photos from the night, taken by Kaupo Kikkas.

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Join us for more immersive experiences in The Book of Hours at Village Underground on 22 November, and The Protecting Veil at St John’s Smith Square on 2 December.

All images © Kaupo Kikkas.

#ModernMystics

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Highlights: Modern Mystics Season Launch

On Thursday 5 October, we held a special event to launch our Autumn Season at West London Synagogue. The venue was all dressed up for Sukkot with its beautiful and colourful sukkah, complete with water fountains and hanging fruit, and this Jewish holiday tradition certainly set the scene for our Modern Mystics Season Launch. Here’s how the evening unfolded…

Our famous comfy cushions, used in our seriously informal concert series, took pride of place in our reception.

Our guests and team gathered under the Synagogue’s stunning structure for drinks, nibbles and chats.

John Singer, our chairman, started off proceedings in the Sanctuary by introducing the premiere of our new short film (produced by Media Trust), which is now live on YouTube.

Chief Executive Matthew Swann hosted an inspiring panel discussion with Alexandra Wood (Creative Director and Leader), Jessica Cottis (Conductor, The Book of Hours), Fiona Lambert (Director of Participation) and Claire Henry (Animateur in Residence) about our Autumn Season. Topics included our Modern Mystics trilogy (starting on 9 November) and our Autumn Participation projects, including our Lullaby Concerts with Orchestras Live and our new three-year collaboration with Bethlem and Maudsley Hospital.

Our string quartet exemplified the Synagogue’s incredible acoustics with a performance of Summa by Arvo Pärt, featured in the first concert of our Modern Mystics series – The Fruit of Silence at Southwark Cathedral.

The performance ended in that beautiful silence our panel had spoken so eloquently about, before we headed back to the reception for more delightful conversation.

What a way to launch our Autumn Season!

Tweets about the night

 


Find out more about our Modern Mystics series: The Fruit of Silence (9 November, Southwark Cathedral), The Book of Hours (22 November, Village Underground), The Protecting Veil (2 December, St John’s Smith Square).

Learn more about our Participation programme: Growth through Music (Lullaby Concerts), Wellbeing through Music (L’Chaim, Bethlem and Maudsley Hospital).

Retrospective on The Soldier’s Tale

On 5 April we made a devilish return to Shoreditch’s cultural converted warehouse, Village Underground, in the finale of our Folk Tunes Tall Tales series – an intimate performance of The Soldier’s Tale, starring Shakespeare aficionados Simon Russell Beale, Dame Janet Suzman and Ivanno Jeremiah.

Kicking back and relaxing on our comfy cushions, at the bar and in premium seats, as advised by CLS Chief Executive Matthew Swann, we were treated to ‘an entertaining introductory talk’ (The Guardian) by Bill Barclay, Director of Music at Shakespeare’s Globe, who set the scene for a ‘pleasingly understated production’ (Evening Standard) of Stravinsky’s dramatic masterpiece.

Inspired by a collection of 17th-century Russian folk fables by Alexander Afanasyev, The Soldier’s Tale depicts the story of a deserter who has been robbed of his violin by the devil, with Alexandra Wood’s ‘sinuous violin’ (The Times) symbolising the soul of the soldier and the percussion that of the devil.

‘…with Michael Collins conducting, the playing was attractively abrasive’
Evening Standard

We revelled in seeing such talented actors up close and bringing character to Jeremy Sams’ ‘neat English version of the text’ (The Guardian), with additional modernisations from our very own Elaine Baines, and Janet Suzman sent shivers down our spines with her ‘sulphurous cackle’ (The Times).

Once the soldier’s soul had been sold and the devil had won, our all-star cast was greeted with the applause and cheer of a very happy audience, and there was nothing more to be done but to head to the Village Underground bar – and to pack the cushions away for another Season.

We’ll be back at Village Underground on Wednesday 22 November in the second concert of our autumn Modern Mystics series – an immersive Sonic Trilogy, conjuring up the past through music, light and amplification. Get closer…

Retrospective on CLoSer: The Devil’s Violin & Burns Night Ceilidh

Wilton’s Music Hall drips with history – and on 24 & 25 January, it was the setting for our Devil’s Violin concert with Burns Night Ceilidh. We danced with the Devil from the world of Scots fiddling to the Appalachian Mountains of the American South all in one of London’s most intimate venues.

The first half was City of London Sinfonia’s string section’s chance to show their prowess – under the incredible direction of CLS Leader Alexandra Wood.

City of London Sinfonia

 

Alex also took centre stage to perform solo in Locatelli’s ‘The Harmonic Labyrinth’ – a dastardly difficult suite that combined the power of the Orchestra with awesome feats of fingerwork in the solo violin part.

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Then we were joined by Henry Webster on folk fiddle and Dan Walsh on banjo for tunes from the American South, including Bonaparte’s Retreat as heard in Copland’s Hoe Down from Rodeo. After hearing Henry and Dan’s own take on the famous tune, the whole orchestra joined in.

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…and of course there was the completely unplanned encore – Charlie Daniel’s Band’s The Devil Went Down to Georgia, featuring baroque guitar (is that a world first for baroque guitar performing bluegrass?)

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A swift changeover (involving clearing over 200 chairs and 100 cushions away in less than half an hour!), Licence to Ceilidh took to the stage to lead a Burns Night Ceilidh.

 

At the end of the night all that was left was to sing Auld Land Syne – we hope you enjoyed the concert and that you will be able to join us on 5 April for the next CLoSer concert, The Soldier’s Tale.

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All photographs (not tweets) credit James Berry.

 

Retrospective on Died for Love with Sam Lee

We always say we promise to surprise and move you – but last night, Thursday 17 November, was really special.

Our friend Sam Lee has toured the country finding ancient melodies and embellishing them with his own contemporary twist. We were honoroud to perform his songs in full orchestral arrangements for the first time thanks to the pheonomenal talent of arranger Iain Farrington.

Mingled with Sam’s songs were works by Britten, Delius and Butterworth that hark back to forgotten worlds and connect us to the tunes that have been hummed by countless generations.

With candles flickering, the Orchestra in the centre of the room surrounded by a sweep of chairs, and a cosy pool of cushions, it was the perfect way to be transported away by music that has travelled across centuries.

Died for Love with Sam lee is the first of four concerts exploring Folk Tunes and Tall Tales – we would be delighted if you joined us for the rest of the journey. Find full details on our website.

Relive the experience

Checkout the beautiful photos from the concert by Jo Russell along with your reactions from Twitter. Just tweet us at @CityLdnSinfonia to let us know what you thought!

Photos by Jo Russell:

From Twitter:

 

 

 

 

 

 

Retrospective on CLoSer: Sketches of Miles

We do things differently here at CLS, and on Wednesday 6 April we lived up to our promise to surpise with a concert of the music of Miles Davis – CLoSer: Sketches of Miles.

For this, the final CLoSer concert in the RE:Imagine series, we were joined by the exceptional talents of Gwilym Simcock and his trio, vocalist Cleveland Watkiss and – in a last-minute addition – saxophonist Tim Garland.

Relive the experience

Checkout the highlights video below and some beautiful photos from the concert by the wonderful James Berry along with your reactions from Twitter. Just tweet us at @CityLdnSinfonia to let us know what you thought!

Photos by James Berry:

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Read the review by Schmopera:

Last night’s concert at the Village Underground will go into the books as one of the most memorable shows we’ve seen yet.” – Schmopera

From Twitter:

 

 

 

Join us for the season finale

Paris Reflected
Wednesday 20 April, 7.30pm

The sounds of Paris are reflected across the centuries in this finale of the season. Providing the centrepiece to the programme is Duruflé’s Requiem setting based on ancient plainsong melodies, preceded by Fauré’s Pavane with its ancient dance forms and Ravel’s tribute to the earlier French composer, Couperin. Composer Charlotte Bray provides the final instalment in our ‘Bach RE:Imagined’ series.

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Our year in pictures – 2015

It was quite a year at CLS. We began 2015 with our Émigré series, full of music by composers who travelled the globe looking for fame and fortune, new artistic experiences, or just a safe place to call home. We did some travelling of our own when we visited Mexico in the spring, before setting up camp once again with Opera Holland Park over the summer. This autumn saw the beginning of our RE:Imagine series, which explores composers’ new interpretations and perspectives on existing works. Take a stroll with us down memory lane and see some of our highlights from 2015…

With the help of some brilliant cat gifs, we channelled our inner dancers for the tango-inspired CLoSer: To and From Buenos Aires. We also reminded ourselves just how weird cats can be!

The real dancers who joined us for the concert were brilliant, though!

 

In April, Russian-born New York composer and violist Ljova joined us for a special residency. He delighted us all with his beautiful blend of classical music, Russian folk, Klezmer and jazz, reflecting his own émigré roots. In anticipation of his arrival, we all thought up our favourite viola jokes…

Continue reading Our year in pictures – 2015

Month in pictures – September and October

We’ve had two very busy months at CLS. Our RE:Imagine concert series got off to a flying start in September with CLoSer: Debussy, Copland and Dance at Village Underground, and continued at Southwark Cathedral with an atmospheric celebration of the music of one of the most romantic cities in the world, in Venice: Darkness to Light. But that’s not all we’ve been up to so far this autumn. Take a look at some of our highlights of the last two months…

CLoSer: Debussy, Copland and Dance saw us return to the intimate setting of Village Underground with a programme exploring music written for dance from Rameau’s 18th century take on the classical Pygmalion myth to Copland’s evocative Appalachian Spring. The concert opened and closed with two brand new dance interpretations of Debussy’s Prélude à l’après-midi d’un faune by choreographer Tony Adigun, one contemporary classical, one urban. Photographer James Berry was on hand to capture the concert as it happened. Take a look at some of his stunning pictures…

Whether you missed the concert, or would just like to relive the evening, you can still watch short highlights on our website.

Our second RE:Imagine concert took us to the magnificent Southwark Cathedral to celebrate one of the world’s most wonderful cities, with Venice: Darkness to Light. Soprano Elin Manahan Thomas and countertenor Alex Potter joined us for JS Bach’s re-imagining of Pergolesi’s Stabat MaterTilge, Höchster, meine Sünden, and Latvian composer Ugis Praulins continued our theme of re-imagining the works of Bach, with his arrangement of movements from the Mass in B minor. Here are some lovely photos of rehearsals by James Berry.

On top of all that, it’s been very busy in the education department, as we returned to Suffolk and Essex for our annual Lullaby Concert tour and workshops with Orchestras Live. We also brought a Very Special Bear’s first concert to Warwick, Basingstoke and Saffron Walden with the help of the excellent Simon Callow, who was an absolute natural at conducting! Take a look behind the scenes to see us wrestling with balloons, and a lovely Paddington Bear card made by one of our younger audience members in Basingstoke!

Our RE:Imagine series continues in the new year with The Viennese Salon in the Sam Wanamaker Playhouse at Shakespeare’s Globe, and our next Crash Bang Wallop! family concert will take place on 12 December. We hope to see you there!

Crash Bang Wallop! Let it Snow
Saturday 12 December 2015, 11.00am
Cadogan Hall, 5 Sloane Terrace, London
Tickets: £8 Children, £10 Adults, £30 Family (four tickets)
Box Office: 020 7730 4500 / cadoganhall.com

The Viennese Salon
Sunday 24 January 2016, 2.00pm
Sam Wanamaker Playhouse, Shakespeare’s Globe, London
Tickets: £62 (premium), £15 – 48, £10 (standing)
Box Office: 020 7401 9919 / shakespearesglobe.com

RETROSPECTIVE – CLOSER: DEBUSSY, COPLAND AND DANCE

After weeks of excitement, our RE:Imagine series opened on Tuesday night with CLoSer: Debussy, Copland and Dance at Village Underground. We were joined by the exceptionally talented dancers Katie Neal and Dani Harris-Walters who performed new choreography by Tony Adigun to Debussy’s Prelude a l’apres-midi d’un faune.

Here are some beautiful photos from the concert by the wonderful James Berry, along with some of our highlights from the evening and lovely audience feedback we received.

Don’t forget, you can watch highlights from the concert on our Youtube channel until 30 September.

The next concert in our RE:Imagine series is Venice: Darkness to Light at Southwark Cathedral on 14 October, when we will be exploring the music of this beautiful city through works by Bach, Vivaldi, Liszt, Stravinsky and more. We’re especially excited to be joined by CLS favourite Elin Manahan Thomas in Bach’s take on Pergolesi’s dark and mournful Stabat Mater. We hope to see you there!

Venice: Darkness to Light
Wednesday 14 October 2015, 7.30pm
Southwark Cathedral, London
Tickets £25, £15, £5* (*restricted view)
£5 tickets available for students and 16-25s (pre-register at www.cls.co.uk/cls-fiver) Box Office / 020 7377 1362

Opera Holland Park so far…

We’re nearly to the end of this year’s season at Opera Holland Park and hasn’t it been a good one! In this post we’ve collected some of our favourite photos from our stint in the pit at our favourite open-air opera festival (nope, we’re not biased at all…), press quotes and tweets. And don’t worry – there is still time to catch a show before the season is over… just check out their website at operahollandpark.com for more information on their current productions.

Pics

The productions this year have been fantastic – it’s been great to be involved. Below our some of our favourite pictures of the various shows that have been on, including Jonathan Dove’s Flight, Verdi’s Aida and Puccini’s Il Trittico.

Continue reading Opera Holland Park so far…