Category Archives: Émigré stories

Émigré stories: Nancy Hitzig

In the weeks around our ÉMIGRÉ concert series, we’ve been collecting stories on the theme. While our concerts explore the journeys composers and musicians have made across the world, this blog series, ÉMIGRÉ STORIES, focuses on the journeys made by the individuals that join together to make City of London Sinfonia. 

Our fifth émigré is our Philanthropy and Enterprise Manager, Nancy Hitzig who left her home-town, Toronto, two years ago to study and work in London. In this post she talks the transformative effect the move made on her, and warm observations on the wealth of culture London has to offer.

 

In July 2013, I quit my job in Toronto, sold most of my stuff, and moved halfway around the world to London. I’d lived in Toronto my whole life and decided it was time to go on an adventure. My mother had spent a year abroad when she was around my age in Southampton and it felt like my turn. I embarked on a Masters programme at HULT International Business School.

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ÉMIGRÉ STORIES: Vladimir Naumov

In the weeks around our ÉMIGRÉ concert series, we’ve been collecting stories on the theme. While our concerts explore the journeys composers and musicians have made across the world, this blog series, ÉMIGRÉ STORIES, focuses on the journeys made by the individuals that join together to make City of London Sinfonia. 

Our fourth émigré is violinist Vladimir Naumov, who has been playing regularly with CLS for almost 15 years! Moving to the UK from Russia as a teen to fulfil his ambition to study at the Royal College of Music, he talks about the difficulties of integrating into an entirely new city and the transition to calling Britain ‘home’. 

 

I came over to Britain from my native Russia in September 1994, aged 19. Initially, my goal was to study for a year at the Royal College of Music as a postgraduate student, with a possibility of extending it by another year. It has to be said that this was not an official exchange scheme, and I therefore did not have any financial backing by the Russian (or British) authorities. All I had was a 50% “discount” kindly offered to me by the RCM towards my tuition fees, the rest I had to raise myself which I eventually somehow succeeded in doing. In other words, I arrived in London completely penniless, with hardly any knowledge of the English language, no friends to turn to and virtually nothing to show for it but sheer enthusiasm. I guess, this is a typical story of an émigré in a big foreign city.

Continue reading ÉMIGRÉ STORIES: Vladimir Naumov

ÉMIGRÉ STORIES: Sarah Barnes

In the weeks around our ÉMIGRÉ concert series, we’ve been collecting stories on the theme. While our concerts explore the journeys composers and musicians have made across the world, this blog series, ÉMIGRÉ STORIES, focuses on the journeys made by the individuals that together make City of London Sinfonia. 

Our third émigré is violinist Sarah Barnes, a regular and much-loved player with the orchestra. She talks about her family’s emigration from Russia in the early twentieth century, and story of her Jewish grandmother, whose memoirs ‘Growing up in Shoreditch’ reveal much about the musical culture, traditions and life of East End, so populated by many other kindred émigrés.

My Jewish great-grandparents’ emigration from Eastern Europe in the early twentieth century

Children of Jewish emigrants from Eastern Europe, my paternal grandparents grew up in the East End of London.  My grandfather’s parents emigrated from Romania and my grandmother’s parents from Russia at the beginning of the twentieth century. It seems they all moved here separately and met their spouses after joining the growing Jewish émigré community in the East End. Jews from Eastern Europe moved to England and America in increasingly large numbers during this period. Pogroms (attacks on Jewish people) had been occurring across the Russian Empire and discriminatory laws meant that there were few livelihoods open to them.

Continue reading ÉMIGRÉ STORIES: Sarah Barnes

Emigre stories: Katie Heller

In the weeks around our ÉMIGRÉ concert series, we’ve been collecting stories on the theme, being a subject very close to the hearts of countless families across Britain. While our concerts explore the journeys composers and musicians have made across the world, this blog series, ÉMIGRÉ STORIES, focuses on the journeys made by the individuals that join together to make City of London Sinfonia. 

Our second émigré is our long-term member, viola-player and the generally fantastic Katie Heller, whose Jewish father escaped Czechoslovakia on one of the last trains from Prague as Hitler’s titan rule began to take effect. 

One of my earliest childhood memories is of dancing around our small hall with Dvořák’s Slavonic Dances blaring out of the record player. Many evenings my sister and I would dance, and often my father would improvise on the old upright piano. I love the energy of this lively music, and the uplifting effect it had on me. At this stage, I knew nothing of its origins, or why it made my dad both happy and sad.

I began to play the violin at the age of nine, and still have a book of handwritten Czech pieces, lovingly notated for me. These were so much more fun with their syncopations and accents than many of my dreary English pieces!

Continue reading Emigre stories: Katie Heller

ÉMIGRÉ STORIES: Alexandra Habasinska, Marketing Intern

A subject very close to the hearts of countless families across Britain, ÉMIGRÉ has played a huge role in so many people’s personal and cultural histories. In the weeks coming up to the start of our next concert series, ÉMIGRÉ, we’ve been collecting stories on the theme. While our concerts explore the journeys taken by composers and artists across the world, this blog series, ÉMIGRÉ STORIES, focuses on the journeys of the individuals that collectively make us: City of London Sinfonia. A collation of stories from a range of individuals connected to the orchestra, from players and members of the executive team to past collaborators, the series will track the fascinating, and often quite poignant, stories of those that, together, make up CLS’s own émigré history.

Our first émigré is our wonderful Marketing Intern, Alexandra Habasinska, whose family moved from Eastern Poland to the UK almost 70 years ago.

A little after the end of WWII, my maternal grandparents and great-grandparents settled in England, the end of a journey that, years before, saw them torn from their homes in eastern Poland. This story, whole families packed into cattle trains and transported to work camps in the depths of the Soviet Union, is familiar to many Polish families like mine. My grandfather’s family was taken north, to Arkhangelsk, to work on the railway; my grandmother’s family south, to Pavlodar in Kazakhstan, where they worked in the fields and herded goats.

When the camps were liberated by allied soldiers, the families were moved to refugee camps in Iran, and later Africa (my grandmother finished her schooling in a camp in Zimbabwe).

Discovered with my grandmother’s possessions. My grandmother and friends in Tehran dancing a traditional Polish dance – possibly the Krakowiak, the dance of Kraków.

This photograph was taken in a refugee camp in Tehran – my grandmother is the second in from the left. They arrived in the camp with very little more than the clothes on their backs, so the costumes they’re wearing were either brought with the rest of the relief packages, or hand-made. After years of captivity, back-breaking physical labour, and malnutrition they celebrated their freedom by singing and dancing. Even in the darkest times it is music that held people together; there are many stories of deportees, as they crossed the border out of Poland, singing the patriotic hymn ‘Boże, Coś Polskę’, a plea for a free homeland which was written in 1918, just after Poland regained its independence after 123 years.

My grandparents’ wedding in Henley-on-Thames, Oxfordshire. A far cry from Kazakhstan.

By the summer of 1948, both my grandfather’s and grandmother’s families had arrived in England, and by chance settled in the same camp in Oxfordshire. My grandparents met and married, and began their new life in England, where they filled their home with the music, food, language, and traditions of their own early childhoods.

Settling into life in the UK, my grandmother and mother in their countryside home.

I remember long summers with my grandmother, sitting under her prized apple tree eating pancakes and singing folk songs. I remember my grandfather crooning lullabies into my baby brother’s ear as he paced him up and down the corridor. Christmas is not Christmas without the smell of beetroot soup and frying potatoes, and a scratched recording of Polish carols by the folk group Mazowsze; and I don’t think there will ever be a time when the sound of an accordion won’t put a smile on my face!

Here is a short playlist with a few songs for the Polish émigré:

The 1930s cabaret scene in Poland was very vibrant, and the country was in thrall to the tango. Mieczysław Fogg was one of the most popular singers of the day, and recorded an impressive collection of tangos. This song, ‘To Ostatnia Niedziela’ (The Last Sunday), tells the story of a young couple on their final day together before they part. It has since been translated into Russian, and is now better known as ‘Burnt by the Sun’.

Chopin, the original Polish émigré, is a must on any list of Polish music. Here is his Fantasy on Polish Airs; the second movement is based on a folk song still widely performed.

Michał Kleofas Ogiński seems barely known outside Poland, but he wrote one of our most beloved pieces – the polonaise ‘Pożegnanie Ojczyzny’ (Farewell to the Homeland). It’s arranged here for accordion.

Finally, is the patriotic hymn ‘Boże, Coś Polskę’, the song that was sung by deportees leaving their homeland forever.

As for Mazowsze, an almost inescapable part of any Polish youth, they really need to be seen to be believed:

Join us for our exciting Émigré series which explores the journeys composers have made through history. On Wednesday 25 February we perform a range of tango music from Piazzolla, Golijov and Bartok with live dancers and a FREE tango taster from 6.45pm. 

CLOSER: To and From Buenos Aires 
Wednesday 25 February 2015, 7:30pm
FREE tango taster from 6:45pm 
Village Underground, Shoreditch
Tickets £15 or £5 for students (pre-register at www.cls.co.uk/cls-fiver) available from Spitalfields Music Box Office or via phone on 020 7377 1362.