Retrospect: The Book of Hours

The Book of Hours (on 22 November) brought something slightly different to our Modern Mystics trilogy, showcasing our outstanding musicians in music evoking both medieval and modern sound worlds. Our audience could shift between the Orchestra onstage and Jack James’ imaginative visual interpretations of the music on the red-bricked wall of Village Underground.

In her first outing with our musicians, Jessica Cottis led a programme of contemporary classical repertoire with a vast variety of textures and effects, and with instrumentation ranging from solo viola (Fiona Bonds starring in Skempton’s Only the Sound Remains) to synthesizer and sampler. We even fitted in some Thai Tuned Gongs, and experimented with aluminium foil on our string instruments!

We were also honoured to be joined by the three living composers, Howard Skempton, Richard Causton and Julian Anderson, who spoke about their pieces with Jessica Cottis and Alexandra Wood in between performances.

Take a look at some of James Berry’s brilliant photos below.

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Join us for the finale our Modern Mystics trilogy on Saturday 2 December at St John’s Smith Square. We’ll be joined by cellist Matthew Barley who performs John Tavener’s ecstatic vision of devotion for cello and orchestra, The Protecting Veil, and presents an interactive exploration of the music as part of Southbank Centre’s Belief and Beyond Belief festival.

All images © James Berry Photography.

Tell us about you Modern Mystics experience

If you’ve been to any or all of our Modern Mystics concerts, we would love to hear about how much you enjoyed them! You can write a review on our Facebook page or on Google tweet us @CityLDNsinfonia, or send us an audio recording to info@cls.co.uk which we can feature in one of our podcasts.

#ModernMystics

 

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