Day 2 and our first experience of Japanese concert halls and audiences. Both amazing.
First the behind the scenes stuff. Our performances manager Patrick arrived at the hall 8 minutes before his allotted time and was not allowed on to the stage. Patrick feared the worst: a late starting rehearsal (being even a minute late for a rehearsal is very much verboten in the orchestral world), but all was well.
On the dot of his allotted time, Patrick was invited to instruct 8 stage crew exactly what he needed and 10 minutes later the entire stage was built. This was not a matter of placing a few music stands. Risers were constructed, and the walls of the stage themselves (about 50ft square) were brought in to transform the Bunkamara Orchard Hall from a full on ballet stage to a small chamber orchestra platform. Japanese efficiency may be a cliche, but in this case it was definitely true.
And the front of house experience… the like of which I have never seen before.
An hour before the concert was due to start, an orderly queue was forming outside. The doors themselves were kept shut until 30 minutes before the concert though, by which point most of the 2,000 audience members were patiently waiting.
When the doors were opened, no-one rushed in, complained about being in the cold, or barged through. Instead, two uniformed ushers addressed the queue in unison, bowed, and only then did people come in. Calmly.
We Brits like to think of ourselves as gold medal queuers, but we are definitely amateurs compared to the Japanese. I have seen enough queues for concerts and events on the UK turn into shouty frustration and barging to know that our queuing skills have their limits.
Once in the hall, the audience was one of the most simultaneously respectful and emotional I have witnessed. The Orchestra noticed that many people were mouthing the words of the Japanese songs we were performing, and most of the audience were in tears during Hana Wa Saku (flowers will bloom), a song written to commemorate the 2011 earthquake and tsunami in northern Japan.
After the concert, a reception with Princess Takamado, a member of the Japanese Imperial Family, and before she married, an employee of CLS director Teruko Iwanaga.
We then retired to our hotel for an early night – we have a busy few days ahead!
(Picture of the day spotted in the backstage loos. Something often in short supply on tours!)