Our RE:Imagine season continues this Wednesday with Venice: Darkness to Light at Southwark Cathedral. We’ve put together this playlist as a little guide to the re-imagined sounds of the concert along with the pieces that inspired them.
Following the journey of the concert, first off, we have Bach’s take on two of Italy’s finest 18th Century composers: the first movement of Pergolesi’s Stabat Mater, and Bach’s version of it as the cantata Tilge, Höchster, meine Sünden; and the first movement of Vivaldi’s violin concerto from L’estro Armonico that Bach re-imagined as a keyboard concerto.
Sticking with Bach, we have the movements from Bach’s Mass in B Minor that Ugis Praulins has re-imagined (you’ll have to come to the concert if you want to hear what Ugis has done with it!). Following the Bach, are John Adams’ orchestral re-imaginings of Liszt’s The Black Gondola and Busoni’s Berceuse Elegiaque, and their piano version originals.
The most intriguing of the re-imaginings, however, is the overture to Stravinsky’s Pulcinella. Stravinsky based his piece on music by Pergolesi… except that it wasn’t by Pergolesi at all. Most of it was by a little known Venetian composer by the name of Domenico Gallo, who was little known because his publishers passed off most of his music as being by Pergolesi, because that way they knew it would sell more copies! Gallo is restored to his rightful place here, next to Stravinsky’s re-imagining.
Venice: Darkness to Light
Wednesday 14 October 2015, 7.30pm
Southwark Cathedral, London
Tickets £25, £15, £5* (*restricted view)
£5 tickets available for students and 16-25s (pre-register at www.cls.co.uk/cls-fiver) Box Office / 020 7377 1362